GIANCARLO FARES
Theatre Techniques and Narration Techniques

He studied at Sharoff Academy under the supervision of Aldo Rendine and Luigi Durassi and specialized in the Stanislavskij method.
He took part (as a student and assistant) in the so-called “Biomechanics Project” at Teatro dell’Orologio in Rome, and worked together with Eugenj Fatiushenko from Moscow’s Theatre of Art , Riccardo Vannuccini, Guido Aristarco, Caterina Merlino.
He attended the seminaries of Eugenio Barba, Torger Wethal , Julia Warley , Roberta Carreri and Tage Larsen from Odin Teatret, Mamadou Douane (the actor of Peter Brook) and the Russian Anatolij Vassiliev .
He worked as an actor and assistant director with Giancarlo Sepe for five years while contributing to his research on music, gestures and words.
He studied singing with Sergej Romanoff and the tenor Roberto Bencivenga.
He specialized in the theatre of narration.
As an actor, he worked together with Giancarlo Sepe, Mario Scaccia, Antonio Salines, Federica Tatulli, Francesco Silvestri,  Mario Moretti, Gigi Palla, Caterina Merlino and Roberto Bencivenga, and took part in plenty of important tours both in Italy and abroad.
He took part in numerous TV and cinema productions.
Since 1995, he has directed important theatrical performances by authors like Pirandello, Beckett, Brecht, Shakespeare, Sofocle, Moliere, Sartre, Ionesco, Albee, Mrozek, Pinter, Lorca, Majakovskij, Queneau, Bogosian, De Benedetti.
He writes and produces important pieces of narration theatre which are part of long tours both in Italy and abroad. From 2006 to 2009, he taught Theatre Technique and Narration Technique at Link Academy in Rome.
In 2009 he directed Debora Caprioglio in her “ Governo delle donne “ (Government of Women) summer tour, which drew inspiration from “Women in Parliament” by Aristophanes.